(She Rises 2) Introduction by Trista Hendren

Forthcoming June Solstice, 2015

[Author’s Note: This is part of introduction to She Rises, Why Goddess Feminism, Activism, and Spirituality?” forthcoming June Solstice, 2015]

Goddess has been a guilty pleasure of mine for the last twenty years, although it wasn’t until my mid-thirties that I was able to fully embrace Her. She had been hidden and demonized throughout my childhood in a way that took me a long time to recover from. I was always the quiet and submissive daughter that I was supposed to be. Once she was fully unveiled, there as no turning back on the rage that I felt and the power that slowly returned to me.  This awakening cost me the relationship with my father. It has been a painful realization that my continued silence and subordination was a mandatory requirement for some of my relationships. Despite the loss that I still feel, I cannot revert to the person I once was.

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(Poem) Nana Haiku by Virginie Colline

Photo credit: © by UGArdener  This photo depicts some of the playful sculptures from the Atlanta Botanical Garden exhibition,

Photo credit: © by UGArdener
This photo depicts some of the playful sculptures from the Atlanta Botanical Garden exhibition, “Niki in the Garden,” in which some of Niki de Saint-Phalle’s large, signature mosaic sculptures were strategically placed throughout the garden. For more about the artist and the exhibition visit: en.wikipedia.org/wiki/Niki_de_Saint-Phalle. For more information about UGArdener, visit: https://www.flickr.com/photos/ugardener/

Sunny femmes fontaines

the strength of Niki’s women

the contagious dance

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(Book Excerpt) Introduction from She Rises: Why Goddess Feminism, Activism, and Spirituality?

Originally posted on MAGO BOOKS:

My heartfelt thanks go to my co-editor Kaalii Cargill and the project committee members, Trista Hendren and Wennifer Lin. This collaborative writing project began as a discussion in The Mago Circle, a Facebook group venue for Goddessians/Magoists. The phone conversation I had with Wennifer Lin, during which she expressed a need of focusing on the Goddess for her organization, Mother Tree Sanctuary, prompted me to think of an idea for a collective writing on the topic of Goddess. I facilitated a discussion in The Mago Circle by inviting members to answer the question “Why Goddess Feminism, Activism, or Spirituality?” As indicated in the question, I wanted us not only to revive the Goddess talk but also to claim its transformative power. Many members of The Mago Circle participated in the discussion over the course of the coming months. Initially, short writing contributions were published in the Return to Mago E-zine…

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(Essay) Good Morning Little Dove by Hearth Moon Rising

Mourning Doves. Photo by R.L. Sivaprasad.

Mourning Doves. Photo by R.L. Sivaprasad.

The Iseum (space of worship) chartered through me by The Fellowship of Isis is called The Temple of the Doves. Why doves? The dove is one of the feathery creatures most beloved of the goddess, and a particular favorite of a divinity close to my heart: the goddess Ishtar.

Reverence for the dove is ancient and enduring, possibly extending back to the Stone Age. According to Marija Gimbutas, “Small birds were sculpted, engraved, and painted throughout prehistory. In Minoan Crete they appear perching on shrines, pillars, and the Goddess’s head. Unfortunately, it is not possible to recognize the species of birds portrayed, except in a very few cases.” Since doves and other pigeons like to roost in large buildings, and the first building complexes were places of worship, the religious significance of the dove may have grown up around the temple. Devotees would have assumed the doves came to bring messages from the sky gods or to carry prayers back to them. These doves would not have been exclusively the subjects and messengers of any god in particular, instead serving the deity of the temple where they lived.

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(She Rises 1) Knowing the Great Goddess: Act of Goddess Feminism, Activism, and Spirituality by Helen Hye-Sook Hwang

Forthcoming June Solstice, 2015

[Author’s Note: This is part of my introduction to She Rises, Why Goddess Feminism, Activism, and Spirituality?” forthcoming June Solstice, 2015]

Without doubt, undertaking the project of this anthology is a way of advocating a feminist/activist/spiritual Goddessism/Magoism. Knowing the Great Goddess itself is an act of Goddess feminism/activism/spirituality. “To know” is an active verb. To know the Goddess is an act that hurls one to an uncharted territory in the patriarchal foreground. Precisely, in that bewildered place we find the door to the Way of the Goddess. We are collectively waking up to the deep memory that ancients paved a way for us to remember.

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(Art) The Great Mother by Julie Stewart Rose

JStewart the-great-mother

 

The significance of the mother figure to Julie represents the nurturer in the Great Mother – one who you can hand the cares of the world to instead of carrying them yourself.

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(Review) Whatever Works: Feminists of Faith Speak edited by Trista Hendren & Pat Daly, reviewed by Mary Saracino

whatever_works_cover(Review) Whatever Works: Feminists of Faith Speak

A Girl God Anthology

Edited by Trista Hendren and Pat Daly, preface by Dr. Amina Wadud

Whatever Works: Feminists of Faith Speak offers readers a diverse array of writings on spirituality and religious traditions by feminists of faith from around the world.

The anthology contains short, personal revelations—essays, poems, and academic musings— written by real women about their real experience of faith in a variety of traditions, including Islam, Judaism, Christianity, Paganism, Goddess-centered spirituality, and Hinduism. Some of the stories are provocative. All are thought-provoking, honest, insightful.  And decidedly feminist.

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