Susan Hawthorne is the author of fourteen books of poetry, fiction and non-fiction. Her poetry collection Cow (2011) was shortlisted for the Kenneth Slessor Poetry Prize in the 2012 NSW Premier’s Literary Awards and was also a finalist in the 2012 Publishing Triangle Awards for the Audre Lorde Lesbian Poetry Prize in the US. Earth’s Breath (2009) was shortlisted for the 2010 Judith Wright Poetry Prize. Her work has appeared in annual Best Australian Poems anthologies, been broadcast on National Radio, and been published in print and digital literary magazines in USA, Canada, India, Macau, Algeria, Germany, UK and Australia. In 2013 she was Literature Resident at the BR Whiting Studio in Rome where she wrote her most recent collection of poetry, Lupa and Lamb (2014) which focuses on the prehistory of the Mediterranean and ancient Rome. Her other collections of poetry include Valence: Considering War through Theory and Poetry (2011), Unsettling the Land (with Suzanne Bellamy, 2008), The Butterfly Effect (2005), and Bird and Other Writing on Epilepsy (1999).
As of October 4, 2019, she has published 16 books. Her fiction includes a novel, The Falling Woman (1992), a verse novel Limen (2013) and she published a novel, Dark Matters in 2017. And in 2019 I has published the poetry collection The Sacking of the Muses And the non-fiction book In Defence of Separatism.
She is Adjunct Professor in Writing at James Cook University, Director of Spinifex Press, and plays a leading role in independent publishing and eBook publishing. http//:www.spinifexpress.com.au
She first began researching the ancient world in 1976. She enrolled to write a PhD on belief structures in the ancient world in 1979, but due to the institution’s incapacity to understand her project and active resistance to it, she left the university and instead wrote a novel, The Falling Woman (1992, reprinted 2004). She eventually completed a PhD in 2002, which forms the basis of her book Wild Politics: Feminism, globalisation and bio/diversity (2002, and published in India). Among her other non-fiction are The Spinifex Quiz Book (1993; translated into German and Spanish) and Bibliodiversity: A Manifesto for Independent Publishing (2004; translated into Arabic, French and Spanish, and to be published in German in 2017).
She has also (co-)edited ten anthologies of fiction, poetry and non-fiction, including September 11, 2001: Feminist Perspectives (2002, with Bronwyn Winter), CyberFeminism (1999, with Renate Klein), several books on animals, and several lesbian anthologies. For more information go to the Spinifex Press website.
After studying Ancient Greek for some years and receiving an MA (Prelim), in recent years she has studied Sanskrit and Latin. In 2009, she spent four months living in Chennai on an Asialink Residency and the result was her collection Cow.
During 2016 she has participated in writing a poem a day, including several new sequences on rewriting mythology, among then a twenty-poem sequence on the Muses http://project365plus.blogspot.com.au/.
She is a publisher at Spinifex Press which she co-founded with Renate Klein 25 years ago. In 2015, she received the George Robertson Award for her Services to the Publishing Industry.
Read her published posts from the recent:
(Poem) Lost texts: Linear A by Susan Hawthorne
I could not agree more about how critical it is to return to mythology in order to learn about how unrecorded history occurred… as a student of mythology for 40 years I find that story is rooted in truths I would never have found support for anywhere else – these are our roots – literally – and if you examine different mythologies you see an overlay of commonality – what I don’t agree with is the increasing tendency to use mythology as a way to retreat from how women are being treated now – It’s so important to know the root beginnings but we can’t hide out there – the world we live in today is one of upheaval and chaos and we need to take our roots and figure out how best to manage now. Incredible sculpture – just incredible.
I did not know the word limen… but I am pleased Susan to see poetry that addresses the scary time we are living through… thank you.
In my own journey into words, I discovered the Hebrew metaphor of “gadfly’ as monthly menstruation – which sheds a new light on why Io (as moon) ran into the water.
RE snakes – loved that poem Susan, and like you I too am friends with snakes. i leave them water during the summer and find their skins in my woodpile each spring.