(Poem) LAMENT OF THE WOOD NYMPH by Marya Berry

Sophie Gengembre Anderson (1823 – 10 March 1903) was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement.
Sophie Gengembre Anderson (1823 – 10 March 1903) was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement.

PREFACE:

Wood nymphs are traditionally minor female deities, divine spirits who animate nature.They are often depicted as young, nubile maidens who dance, sing, and, in some legends, play with men (or women’s) feelings. “They are known for their “beauty, passion and caprice…

Nymphs tended to frequent areas distant from humans but could be encountered by lone travelers outside the village, where their music might be heard, and the traveler could spy on their dancing…in the middle of the night. Such encounters could be dangerous, bringing dumbness, besotted infatuation, madness or stroke to the unfortunate human.”

[Wikipedia: en.wikipedia.org/wiki/Nymph]

The Wood-nymphs are companions and attendants of the moon goddess Artemis.

In the poem to follow, I have imagined a variation of the above scenario, with a twist, probably deriving from the fact that I was born in the 20th century and am a feminist. Here, the Wood Nymph’s perception of her own situation lies at the heart of the drama, rather than the young men she deceives.

LAMENT OF THE WOOD NYMPH

This autumn day is beautiful, so am I, they say.
The trees give way before me, blushing bright colours
as I pass by. Thus, I bring Autumn in my train
to this wood, sing a siren's song, steal men's hearts
and, beware, never give them back again.
Like all beauty I am dangerous. Victims come upon me
by mishap, they say, against their will to this livid wood.
This abominably beauteous wood. 

Why does my heart yearn so,
filled with longings no lover can cure
because of a drama legends ago?
Why does my heart beat its own requiem, 
the young men gone, whilst i go on
forever? Why do I feel so alone? 

There are tales of me, the haunted they call me.
Young men come to my call, they say,
they cannot turn away, in autumn's evening
they hear me singing, my song is like light
of the moon upon the wood, the snow owl
splaying his wings in silence upon his prey,
on silver ponds, on fronds of summer's memory,
Artemis, the huntress, looks on helpless.

Poor young fellows follow their virgin ears
by windsong, they espy my emerald eyes
filled with their own longing, and forget why
they came looking for me, the haunted wood-
nymph, under the frowning purple sky.
The heather beckons them make love to me,
nor do I refuse them this delight, the curse,
they say, is upon them, for grieving, they all die.

As they embrace me, my eyes impale theirs,
they cannot battle their dreams or desires,
they take me upon the wood's moss-lined floor,
wolves howl at the moon, blood-red foxes stir.
All the world sleeps in their dreams, they forget
all the warnings, follow the deceiving movement 
of my dancing limbs, forget they will grow old,
no warm heart or hearth against the cold.

What no one knows or dares imagine
is that it is I who am cursed, cursed!
My story is one of doom. For I awoke here
in this wood, this horrid wicked wood, where
only the white deer were kind. The other world burst
upon me in its fir tree gleesome green, 
tore all memory of my girlhood from me 
bathed me in sleepless waters, made me human.

Alas, it was not for me their labours, but for lies.
The powers-that-be glimpsed me with my own true love
in love's travail under the winsome winking stars.
No god, but a fair-haired, handsome human, love's loveliest.
I, a mere nymph, in love's thrall? They would not have it.
Elves and trolls surrounded us, croaking black ditties
which we hardly heard, our whispers, our sighs running down
our hearts' wide corridors, down our dancing thighs.

And so it is they killed my love, stomped out our fire's light.
Imprisoned me here in this horrid wood, turned all love to blight.

Why does my heart yearn so,
filled with longings no lover can cure
because of a drama legends ago?
Why does my heart beat its own requiem, 
the young men gone, whilst i go on
forever? Why do I feel so alone?

© Marya Berry 2013


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0 thoughts on “(Poem) LAMENT OF THE WOOD NYMPH by Marya Berry”

  1. I see it as a poem about being human. It connects with curse which connects with the expulsion of Adam and Eve…as it connects with all myths that attempt to account for our separation from nature. And there are other dimensions to it, but I commented on that one

  2. Enchantment of the enchanted inside a world of woe – like a heart gone cold, which cries out in loneliness of a love long lost. But what of those who seek this enchantment – mortal men fleeing from the dregs of life and living? Not too far-fetched if one considers hermits seeking isolation and fanatics who self destruct.

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