(Photo Essay 3) Goddess Pilgrimage 2017 by Kaalii Cargill

[Author’s Note: In July 2017, I set out on a 4 month pilgrimage to the Unites States, Italy, France, Spain, Lebanon, Jordan, and Egypt. I name it a “pilgrimage” because my main focus is what I call “visiting with the Grandmothers”, although I also encountered many other wonderful people and places. This series of Photo Essays is an invitation for you to visit with the Grandmothers I met on my journey . . .]

She is everywhere . . .

Even when I am not visiting with the Grandmothers in a museum or archaeological site, She is there. She takes me by surprise, making me smile, bringing a sense of wonder. Modern art representations echo ancient images of Goddess. A huge sculpture on a busy New York street invites a re-membering of Her presence. Hecate’s owl on a building in NoHo, watching over us. Goddess of liberty. Renaissance art, so fascinated with women’s mysteries. Modern fashion. Mother Nature. She is everywhere!

Alexander Archipenko, 1919. Guggenheim Museum, New York.
Alberto Giacometti, 1927. Museum of Modern Art, New York.
New York City street sculpture
Hecate watching from a building in NoHo, New York.

 

 

 

 

 

 

 

 

Breathtakingly beautiful. Klimt’s 1907 “Woman in Gold”, Neue Galerie, New York.
Libertas, Roman Goddess of Liberty, Manhattan, NY.

 

 

Modern day Goddess “statue” on Madison Avenue, New York.
Her shoes!

 

 

 

 

Brera Gallery, Milan. Simone Peterzano (c1535-1599) – one of Caravaggio’s teachers. The custom of the time required modesty, yet the folds in the pink fabric celebrate Her mysteries.
Mother Moon rising over the Tyrrhenian Sea on the Amalfi Coast, Italy. Fires in the hills around Naples turned the the image into a Monet painting.

 

 

 

 

 

 

 

 

 

 

 

 

 

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2 thoughts on “(Photo Essay 3) Goddess Pilgrimage 2017 by Kaalii Cargill”

  1. Comment from Sara Wright:

    A couple of these images really disturbed me – one without a head – the other a mannequin…. are these really goddess images?

    1. Yes, good question! I saw the headless one as a modern representation of a classical statue, many of which have lost heads and limbs. For me She stood out amidst the linear buildings and fast pace of central New York. Re the mannequin – when I’m looking for Her, I see Her everywhere, and she appeared to me like a glorious embodiment in Madison Avenue (I see mannequins differently since using one to craft a life-size Medusa figure, reconnecting Her head and body). Those images are certainly not as meaningful as the ancient Grandmother statues, but I wanted to share my experience of seeing Her everywhere that day in New York. At the time, I was seeing Her everywhere, looking with Goddess eyes. The big statue was like a Goddess statue from antiquity, strong and present right in the centre of New York. The Madison Avenue mannequin became a priestess resplendent in beautiful robes. Maybe it doesn’t translate in the photos, but She was there for me.

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