In November, I visited Shanghai for the first time. I travelled there to participate in the Consciousness Reframed Conference at the De Tao Masters Academy. There, I presented a paper on the Techno Spiritual Horizons of Art and Compassionate Networked Art Forms. It was also an opportunity to meet Kuan Yin, the Goddess of Compassion, face to face, at the Jade Buddha Temple. Prior to my visit, my view of the Goddess was rather limited, especially in comparison to the actual encounter which, unexpectedly, granted me a magnificent vision. Continue reading
The presentation is based on excerpts from the Cybernetic Institute’s Letter of Letters Manifesto dedicated to the study of technoetic arts, consciousness and the spiritual in art. Continue reading
[Note: She Rises Vol 1 has been published June Solstice, 2015.]
She Rises Book Reviews include the following:
“There are many contributors with names you may be familiar with, such as Carol Christ, Starhawk, Barbara Daughter, Vicki Noble, Max Dashu. Other excellent contributors will be new to you, but you may find yourself looking for more of their work. I feel honored to be included in such illustrious company. The articles are short, so they can be read over a long time period….though you might find it hard to put the book down. I was touched by how often the names Mary Daly, Merlin Stone, Marija Gimbutas, and Monica Sjoo appeared in this volume, and it seemed to me that these early pioneers were also contributing through other women.
She dances the serpentine dance, moving with the cosmic whirling motion of galaxies and cells. Her movement is winding inside DNA strands, lit by the symphony of photons, existence evolves to her rhythms. She is in the matter and the immaterial, watcher of codes and languages, turning the single into the plural with the blueprint of her serpentine ‘S’.
I discovered the phenomenon of the Holy Snakes of Mary in February 2015 shortly after my visit to the Museum of Cycladic Art’s exhibition entitled “Hygieia” on Health, Illness and Treatment from Homer to Galen”. One of the recurring figures in the exhibition is the serpent which was sacred to Asklepios, god of healing. The cult of Asklepios was sustained by many mythic tales featuring the appearance of wise and healing serpents which communicated with humans and culture. In these myths, the serpents appear as guides and helpers that mediate between mundane reality and the invisible realm with the intention to bring about healing. According to ancient lore, the location of a new sanctuary was guided by a snake. There was also a correlation between Asklepios and Apollo Pythios. Delphic theology stressed the rebirth and regeneration aspect of Apollo, which correlated with the theme of the snake’s cyclic renewal of skin. Perhaps, it was a reminder of the ancient goddess-centred worship of Gaia, the Great Mother, and her daughter, the serpentine creature Python.
Dr Lila Moore is an artist film-maker, screen choreographer, networked performance practitioner, and theorist. She holds a PhD degree from Middlesex University in Dance on Screen (2001) and an MA in Independent Film and Video from Central Saint Martins College of Art and Design, London. Dr Moore is an Advance Research Associate at the I-Node of Planetary Collegium, Plymouth University. She devises The Cybernetic Institute, a planetary platform for the exploration of technoetic arts and consciousness with an emphasis on the spiritual in art. The platform’s purpose is to supply educational courses utilising ritualistic, cybernetic, syncretic and networked principles both online and offline. The courses are metaphorically embedded in “morphic fields of compassion,” which could be activated by art and ritual, and are designed to counteract the prevalent narrative of violence.