(Prose) Quintessential Connections by Luciana Percovich

Percovich goddess conference, avalon 30 luglio 2016Good Morning, Avalonian Sisters and Friends!

Crones, Mothers, Daughters and Sons!

This talk, my small contribution to this gorgeous conference, is dedicated to our Beloved Crone Sisters who have passed among our Ancestresses:

Mary Daly, Merlin Stone, Marija Gimbutas and Lydia Ruyle.

May they Be with us here and now

And bless our tongues, ears and souls

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(Art) Nuestra Senora La Virgen de Guadalupe by Lydia Ruyle

BM14_Nuestra Senora La Virgen de Guadalupe_12

Nuestra Senora La Virgen de Guadalupe is the present name of the Great Mother Goddess of Mexico. The Spaniards brought Black Madonnas with them to the western hemisphere where they joined Mayan Ixchel and Aztec Tonantzin of earlier Pre-Hispanic cultures. La Virgen spoke to Juan Diego, a simple peasant, asking him to build a church to her on Tonantzin’s hill at Tepeyac. Miraculously, La Virgen’s image appeared on his tilma wrapped around many red roses as proof of his vision. It hangs in the Cathedral today. Guadalupe is the Goddess of the Western Hemisphere, Central and South America, and the southwestern United States.
 
Painting on cloth, c.1534, Guadalupe Cathedral, Tepeyac, Mexico City

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(Art) Black Madonna of Czestochowa by Lydia Ruyle

BM5_Black Madonna of Czestochowa_98
Black Madonna of Czestochowa, Poland is the most well known Black Madonna in the world. She is Matri Polski, Queen of Poland, and the symbol for change and freedom. She saved the Poles from the Swedes and wears her battle scars on her cheek. The Madonna is a painting on wood which is covered by a screen of precious metals and jewels that is ritually changed during the year. Her image is displayed for mass, then hidden behind a curtain. The walls of her chapel are covered with offerings or milagros asking and thanking Her for miracles and healing.
 
Painting with gold & jewels, Czestochowa, 
Jasna Gorna, Poland

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(Tribute) In Loving Memory of Lydia Ruyle (1935-2016) by Mago Circle Members

Lydia Ruyle with her Goddess banner of the Seven Star Deities

We posthumously honor Lydia Ruyle (August 5, 1935-March 26, 2016) as Patron of Goddess Feminism, Activism, and Spirituality. Mago Circle Members on June 11, 2016.

Glenys Livingstone

I feel blessed to have known Lydia and to have been in occasional personal communication with her for several years … initially via the Goddess Scholars list. Lydia sent me great information of some of her journeys, was always encouraging and generously supported my CD crowdfunding project in 2015. I feel honoured to have carried her Goddess banners to Australia in 2014.

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(Art) Ingaladdi Sun Woman by Lydia Ruyle

Ingaladdi Sun Woman Source: Rock painting. Date unknown. Northern Territory. Australia Background: Rock painting. Date unknown. Glenelg headwaters. Western Australia

Ingaladdi Sun Woman
Source: Rock painting. Date unknown. Northern Territory. Australia
Background: Rock painting. Date unknown. Glenelg headwaters. Western Australia

Ingaladdi Sun Woman Ingaladdi Sun Woman is painted around a vulva like natural rock cavity in the Victoria River District of Australia’s Northern Territory. The energy lines around her head and her large vulva suggest Walu, the Aborigine Mother Sun who gives birth to the world. Surrounding Ingaladdi is another rock painting which also portrays the radiant energy of the sun.

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(Art) La Befana by Lydia Ruyle

Goddess banner by Lydia Ruyle, internet image

Goddess banner by Lydia Ruyle, internet image

La Befana, in Italian folklore, is an old woman with a big nose carrying a pack on her back. On the night before the 6th of January, she flies on her broom to deliver presents to children who have been good, and coal, garlic and turnips to those who were bad. La Befana’s origins go back to Saturnalia when Romans would have their augers read by an old crone in the Temple of Juno on the Capitoline Hill. I dedicate my Goddess Banner of La Befana to Lucia Chiavola Birnbaum on her 90th birthday! Lucia brought many gifts to the world, especially her work with Black Madonnas and women’s herstory.

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(Art) Mutti by Lydia Ruyle

LR Mutti

 

Matrioshka nesting dolls symbolize the continuing cycle of life in the female line: daughter, mother, grandmother, great- grandmother. Mutti’s Matrioshkas banner is dedicated to my mother known as Mutti, Lydia Alles Miller, 1908-1992, and all my German Russian foremothers. Her matriarchal lineage carries on in my two daughters, five granddaughters and one grandson.
Source: Russian Nesting Dolls, painted wood, c. 1965 

 

 

We, the co-editors, contributors, and advisers, have started the Mago Web (Cross-cultural Goddess Web) to rekindle old Gynocentric Unity in our time. Now YOU can help us raise this torch high to the Primordial Mountain Home (Our Mother Earth Herself) wherein everyone is embraced in WE. There are many ways to support Return to Mago. You may donate to us. No amount is too small for us. For your time and skill, please email Helen Hwang (magoism@gmail.com). Please take an action today and we need that! Thank YOU in Goddesshood of all beings!

(Click Donate button below. You can donate by credit card or bank account without registering PayPal. Find “Don’t have a PayPal account?” above the credit card icons.)

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(Special Post 6) Why Goddess Feminism, Activism, or Spirituality? A Collective Writing

Credit: prairielabyrinth.com

Credit: prairielabyrinth.com

[Editor’s Note: This was first proposed in The Mago Circle, Facebook Group, on March 6, 2014. We have our voices together below and publish them in sequels. It is an ongoing project and we encourage our reader to join us! Submit yours today to Helen Hwang (magoism@gmail.com). Or visit and contact someone in Return to Mago’s Partner Organizations.]  

Esther Essinger “Why Goddess, when “G*D” is perpetrating so much grief?
1) First, it’s vital to know that Goddess is NOT “G*D” in a skirt. It is demanded of NO one that they “believe” or “have faith”, so there can be no guilt (and no punishment! (No Hell below us, thank you John) in NOT choosing to interest oneself in these particular Stories, myths, legends and tales which center the Cosmic Female, the Universal Mother, Mother Earth /Mother Nature at their core. No evangelism happening here!

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(Art) Mago by Lydia Ruyle

KOR3_Mago.2013Mago of old Korea and East Asia, also known as Magu, Mako, Samsin Halmeoni (Triad Grandmother Goddess) and Cheonsin (Heavenly Deity), is the Great Goddess. Mago is the progenitor, creatrix, and ultimate sovereign. Early gynocentric cultures venerated Her in many forms. Her multivalent identities include an immortal, mendicant, crone, shaman, and/or nature-shaper of mountains, rocks, caves and seas. In art, Mago often carries a basket of lingzi mushrooms, medicinal herbs and flowers–all symbols of immortality.

Source: Painting c. 1400 CE by Seokgyeong. Joseon Dynasty. Korea

We, the co-editors, contributors, and advisers, have started the Mago Web (Cross-cultural Goddess Web) to rekindle old Gynocentric Unity in our time. Now YOU can help us raise this torch high to the Primordial Mountain Home (Our Mother Earth Herself) wherein everyone is embraced in WE. There are many ways to support Return to Mago. You may donate to us. No amount is too small for us. For your time and skill, please email Helen Hwang (magoism@gmail.com). Please take an action today and we need that! Thank YOU in Goddesshood of all beings!

(Click Donate button below. You can donate by credit card or bank account without registering PayPal. Find “Don’t have a PayPal account?” above the credit card icons.)