Paganism and American Folk Magic Traditions by Francesca Tronetti

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Pagans are people seeking spirituality. Not always religion, but true spiritual growth and freedom. Due to this desire, many seek out and learn from older cultural traditions, viewing these practices as purer and more in tune with the universe. This has led to multiple clashes between pagans and those whose cultures they seek to draw from. This is called cultural or spiritual appropriation, and there are dozens of articles, and probably a book or two, on the subject already.

To avoid this conflict, many white spiritual seekers have begun looking to older European traditions such as those of the Celts and the Norse. However, worship of the ancient Norse deities has been linked to white supremacy in the last decade, so understandably many avoid the label. In the United States, there has been a steady resurgence of interest in American Folk Magic Traditions, especially those of the Appalachians, known as hoodoo, conjure, and rootwork. However, pagan interest in this folk magic is not always welcome and can bring them into conflict with practitioners of the craft.

Until the 1960s, there were few studies of the lifestyles and traditions of Appalachian people. Then in 1966, the magazine Foxfire was first published. Proposed as a writing project by teacher Elliot Wigginton at the Rabun Gap-Nacoochee School in Georgia, students collected stories from relatives and neighbors about how people had lived in their area. The magazine published these stories about the crafts, skills, and lifestyles of the people in their area, everything from lessons on raising and butchering hogs to how to build a spinning wheel.

The magazine was an immediate success, partially owing to the interest in communes, the back to the land movement, and organic farms developing in the United States. Today for $15 a year, you can subscribe to the magazine, which has been in publication since 1966, and in 1972 the first of the Foxfire books was published. These books remain popular and are still sought after by collectors and enthusiasts today; I have six of the original books and one of the more recent publications in my library.

Foxfire is also a museum of Appalachian history whose members continue to record the area’s oral history. It also serves as a classroom where people come to learn homesteading and traditional medicine using herbs. The work of the Foxfire group inspired others to take an in-depth look at the culture and traditions of the mountain people, rather than labeling them simple backwoods folk who need to be taught, not learn from. Because of the work of the Foxfire group and other dedicated researchers, we now have a better understanding of the folk magic traditions of the area.

Hoodoo, conjure, rootwork, mountain magic, and granny magic are African-inspired religious practices that are sometimes called mountain magic. Hoodoo is a set of spiritual practices, traditions, and beliefs that were created and concealed from slaveholders by enslaved Africans in North America. Many of these enslaved people attempted to escape, and some, unwilling to risk the long trek north, headed deep into the Appalachian mountains.

In this area, already established groups of Native Americans and small settlements of formerly enslaved people began to take shape. The Native Americans, having no love for the white man who also enslaved them, lived in relative peace alongside their neighbors and taught them the herbs of the land.

Eventually, European immigrants settled in the area and soon discovered that the promised land was not a fertile plain where life came easy. Mountain life is tough, and you need to depend on your neighbors to survive, especially if you have never lived in an area before and do not know which herbs and roots you can eat, which will heal, and which will kill.

When members of the Pennsylvania Dutch arrived, they had their own folk magic traditions, already influenced by their interactions with the Native American groups who lived in PA. The formerly enslaved people and their descendants incorporated some of these traditions into their belief practices and created what we today call hoodoo. Still, this knowledge was shared with their neighbors, which is why you will find white people who claim their families have practiced hoodoo for generations. Because they probably have.

Hoodoo and conjure are uniquely American magical traditions, born out of the intersection of at least three, and possibly more, cultures who all wished to live their lives and remain free. The spells and incantations are in English, the herbs used are those which grow locally, and practitioners for centuries have been white. For those seeking a spiritual path linked to herbalism and one in which a charge of cultural appropriation cannot be made against Appalachian folk magic would seem to solve their problems.

However, they would be mistaken in thinking this type of magic is open to everyone regardless of background. Hoodoo and conjure are not pagan, and many practitioners are Christian. While there is a belief in spells, curses, and evil spirits, the people have a solid Christian belief as their bedrock. The spells are based on Psalms and Bible passages, and invocations are made to Jesus, God, the Holy Spirit, and the Saints.

Appalachian folk magic is a branch of Christianity for all intents and purposes. Perhaps not one which many Christians outside of the geographic area would acknowledge, but it is still deeply rooted in the Christian faith. This has led to some online conflict between those who see this tradition as one which can be incorporated into the umbrella term pagan and those who resist their beliefs being placed alongside those of admitted witches.

American folk magic occupies a unique place, being at the interception of Christianity and magic, but this does not mean that their beliefs and practices are open for anyone to use. To claim it as one’s own could be a type of cultural appropriation, on par with claiming the spiritual traditions of Native Americas or Afro Caribbean practices without understanding the deep cultural history and significance they carry.


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